Sankt Petersburger Silber Kerzenleuchter Silber Paar

Magnificent Silver Candelabra in heavy design

St. Petersburg 1870

Mas­ter­ful work by the court gold­smith of Tsar Pavel Fyo­dor­ovich Sazikov. Assay­er: Alexan­der Mitin (1842 — 1877).

Opu­lent work by the court gold­smith of the time of Alexan­der III, exquis­ite­ly chis­eled, in the form of volutes and rocaille dec­o­ra­tion, with grace­ful­ly curved arms adorned with flo­ral motifs. The nine arms of the chan­de­lier are fit­ted with very fine vase sock­ets in a clear form, with only the low­er part adorned with chis­eled petals.

Chan­de­liers of this qual­i­ty and exe­cu­tion, from a house like Sazikov, were exclu­sive­ly reserved for the aris­toc­ra­cy, bankers, or very wealthy indus­tri­al­ist fam­i­lies of the time. A prime exam­ple of the out­stand­ing qual­i­ty and skill of the sil­ver­smiths of Sazikov was the com­mis­sioned work for Tsar Nicholas I, which Sazikov pro­duced in 1848. The opu­lent sil­ver tea and cof­fee ser­vice in the Russ­ian style was com­mis­sioned by Tsar Nicholas I as a gift for his son, Crown Prince Kon­stan­tin Niko­lae­vich, the younger broth­er of Alexan­der II, on the occa­sion of his wed­ding. This was also the first wed­ding ser­vice com­mis­sioned at the court sup­pli­er Sazikov.

Sig­na­ture: Sazikov, St. Peters­burg city mark, assay mas­ter’s mark of Alexan­der Mitin 1870.

These beau­ti­ful­ly craft­ed sil­ver chan­de­liers, in a heavy design from one of the most sig­nif­i­cant Russ­ian jew­el­ry and gold­smith dynas­ties, are a won­der­ful exam­ple of the incred­i­ble crafts­man­ship and mas­ter­ful skill of the court sup­pli­er to the Tsar’s court.

PAVEL FEDOROVICH SAZIKOV

Sazikov, a jew­el­ry, gold, and sil­ver­smith dynasty:

The Sazikov gold­smithing man­u­fac­ture is one of the old­est in Rus­sia and was found­ed in Moscow in 1793 by the jew­el­er, gold­smith, and chas­er Pavel Fedorovich Sazikov. The jew­el­er and gold­smith Sazikov was award­ed the title of Court Jew­el­er and Gold­smith of the Tsar” Nico­las I in 1837.

Ignatij Sazikov, the son of the com­pa­ny’s founder, born in 1793 and died in Moscow in 1868, opened a branch in St. Peters­burg in 1842. Sazikov par­tic­i­pat­ed in many world exhi­bi­tions and exhi­bi­tions in Rus­sia, where he received medals in the years 1835, 1849, 1853, 1861, and 1865.

In 1851, Sazikov par­tic­i­pat­ed for the first time in the World Exhi­bi­tion in Lon­don and won a gold medal, and again in 1862. Unlike the Bolin com­pa­ny, which was also suc­cess­ful there, Ignatij Sasikov rep­re­sent­ed a gen­uine­ly Russ­ian style”. The work­shop of the sil­ver­smith was ini­tial­ly locat­ed only in Moscow and pro­duced all kinds of sil­ver objects. At that time, var­i­ous objects were man­u­fac­tured, from every­day use to artis­tic objects for the Tsar’s court or sig­nif­i­cant exhibitions.

The most famous descen­dant of the dynasty was Ignatij Sasikov, the son of the com­pa­ny’s founder, who is con­sid­ered one of the most impor­tant Russ­ian sil­ver­smiths and jew­el­ers and was called the Russ­ian Ben­venu­to Celli­ni because of his extra­or­di­nary tal­ent. Sazikov also had the idea to styl­is­ti­cal­ly incor­po­rate old Russ­ian forms and peas­ant motifs into his jew­el­ry art, which found great res­o­nance with his clien­tele from the sec­ond half of the 19th cen­tu­ry. Sazikov trav­eled exten­sive­ly and brought the lat­est machines and tech­niques to Moscow and St. Peters­burg, such as a guil­loché machine from France in 1843. He also rev­o­lu­tion­ized and com­bined many old tech­niques with mod­ern ones, such as enam­el or niel­lo technique.

Around 1850, a school was also locat­ed on the com­pa­ny premis­es, where about 80 stu­dents were trained as gold and sil­ver­smiths. Igna­cy Sasikow employed and worked with renowned artists and sculp­tors to design new mod­els. Thus, his man­u­fac­ture pro­duced a sil­ver ser­vice with Byzan­tine dec­o­ra­tions in 1848 for the wed­ding of Grand Duke Kon­stan­tin Niko­lae­vich, the younger broth­er of Alexan­der II, designed by Fyo­dor Sol­nt­sev — an artist and archae­ol­o­gist famous for his spe­cial famil­iar­i­ty with Old Russ­ian art.

Jew­geni Lansere con­tributed to the minia­ture sculp­ture of a troi­ka. This ser­vice is now in the Fabergé Muse­um. After Igna­cy Sazikow’s death in 1868, his sons Pavel and Sergei took over the com­pa­ny and ran the busi­ness and work­shop of the man­u­fac­ture until 1887, after which they were tak­en over by Ivan Chlebnikow.

Lit: Adam Szy­mańs­ki: Sazikow. Busi­ness. In: A. Szy­mańs­ki (ed.): Gold­smiths of the Romanov court. Berlin-Opole: Metrop­o­lis­art, 2011, pp. 128 – 129.Adam Szy­mańs­ki: His­to­ry, style and works of the Russ­ian gold­smith com­pa­ny Sazikow. In: P. Iwanow (ed.): Sketch­es on Russ­ian gold­smithing. From the mid-19th to the begin­ning of the 20th cen­tu­ry. War­saw: Metrop­o­lis­art, 2010, pp. 5 – 39.

Fur­ther Ref­er­ence Links, please click HERE, and HERE (see also ref­er­ence image below at the bottom).

Sankt Petersburger Silber Kerzenleuchter 06
Silver Candelabra H: 54 cm, Dm: 35 cm; Weight: ca. 8000g
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Reference "The tea and coffee service in “Russian style” was made in 1848 by Faberge’s competitor, the Ignaty Sazikov Company, to mark the occasion of the wedding of Nicholas I’s son, Grand Prince Konstantin Nikolaevich. The decoration includes elements of Byzantine aesthetics and an ancient Russian ornament, as well as an engraving of the prince’s initials. This was the first wedding service commissioned from the Russian jeweler. Before, such commissions were given to the English."